11/11/2022 0 Comments Ryley walker fm![]() He had written the song, “Tables and Chairs,” more than 12 years ago and said that he had been reworking the song since then. The few times a loop pedal or other digital enhancements were used, it was very obviously done for artistic reasons – such as distorting his whistling to sound like a real songbird’s.ĭuring one of his rare breaks from playing, Bird performed a request from a couple who had recently gotten engaged. Most of the songs come purely from the band, and the flourishes in each song are just Bird’s adept violin playing. This is part of the beauty of Bird’s performance: it’s honest and accessible. During the song “Pulaski at Night,” the crowd cheered and sang along to the line “Come back to Chicago City of, city of light.” Although he’s played huge stadiums where the green room is actually the Detroit Pistons’ locker room, “nothing feels as good as this.”īird is from the Chicago suburbs, which added a personal touch for the audience. After a particularly long and impressive whistling solo, the applause was boisterous enough to drown out the music.ĭespite being one of the smallest venues on Bird’s tour, Canopy Club seemed just as important to Bird as any arena venue. The crowd filling both levels of Canopy Club was responsive, even though Bird’s style doesn’t necessarily lend itself to dancing. Instead, Bird interacted with the crowd – particularly those very familiar with his music – by teasing the music and extending a pause before diving back into a rapid violin solo. The first half hour of the set was just music – no banter with the audience besides the obligatory “Everyone alright?” while he switched from violin to guitar. Either way, the real focus was always on the sound. Emotionality is one of the key elements to playing an instrument, and his expressions while cradling his violin related the feeling of the song just as much as the lyrics.īird frequently coordinated the lights so he was in darkness, or so the focus was on his shadow. It was clear that Bird loves performing because of his admiration for music. With no preamble except the spinning horns, Bird launched into “Capsized,” the first single from his 2016 album “Are You Serious.” The gramophone, like Bird’s music, is just as technically impressive as it is music-focused. The rotational speed is controlled by a pedal and the speaker design creates a Doppler effect. The band fit comfortably on Canopy Club’s stage, with Bird’s signature double-horn gramophone taking the typical place of a drum kit.Įven the gramophone is more than just a quirky set piece – the $28,000 instrument was specially designed to spin. Ryley Walker, a Chicago folk musician with a slightly heavier sound, opened the show at 8 p.m. The set is simple, the band doesn’t rely on gimmicks, and the music is raw and skillful.īird performed Monday night at Canopy Club in Urbana. Watching Andrew Bird perform is like watching a casual, three-piece orchestra. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |